One of the five sci-fi's I remember every single detail of from my earliest days as a fan. For the genre, I think it's considerably above average. The moor is nicely atmospheric. There's one of every character in the book: the good guy, the bad guy, the local sheriff, the lovely damsel, her father the old professor, etc. The scene where we're looking for the first time through the window of the ship and the visitor peeks out from the other side is easily as good as the three-fingered-hand-on-the-shoulder in War of the Worlds. Nice "character" to the visitor, for whom, like Karloff's Frankenstein, we end up feeling some empathy .
Arjun Sarkaar, a top HIT officer from Visakhapatnam, is sent to Jammu and Kashmir to investigate a series of brutal murders. As he pursues a group of elusive killers, the case tests his skills and mental strength.
In the streets of Antwerp, four childhood friends are torn between loyalty and survival. As Adamo's rise in the drug trade fuels danger, police pressure and gang violence threaten to destroy their bond and chance at freedom.
Bhanwar, a simple man, is burdened by the overpowering shadow of his dominant uncle Bhairo who makes decisions on Bhanwar's behalf. To improve their living conditions, his uncle coaxes him to buy a bride